All Frans Hals Oil Paintings

1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.
 

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Frans Hals A Family Group in a Landscape oil on canvas


A Family Group in a Landscape
A Family Group in a Landscape
Painting ID::  1512
  1630-35 National Gallery, London
  1630-35 National Gallery, London

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Frans Hals Portrait of Willem (Balthasar) Coymans oil on canvas


Portrait of Willem (Balthasar) Coymans
Portrait of Willem (Balthasar) Coymans
Painting ID::  1513
  1645 National Gallery of Art, Washington DC
  1645 National Gallery of Art, Washington DC

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Frans Hals The Gypsy Girl oil on canvas


The Gypsy Girl
The Gypsy Girl
Painting ID::  1514
  1628-30 Musee du Louvre, Paris
  1628-30 Musee du Louvre, Paris

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Frans Hals Jester with a Lute oil on canvas


Jester with a Lute
Jester with a Lute
Painting ID::  1515
  1620-25 Musee du Louvre, Paris
  1620-25 Musee du Louvre, Paris

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Frans Hals Andries van der Horn oil on canvas


Andries van der Horn
Andries van der Horn
Painting ID::  1516
  1638 Museum of Art, Sao Paolo
  1638 Museum of Art, Sao Paolo

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     Frans Hals
     1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.

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